Monday, December 30, 2019

Learn the French Word Un Pote

The informal French noun  un pote,  pronounced puht, means buddy, chum, or mate. Generally, it means friend, but a close friend that you spend a lot of time with. Explore more about this word below. Examples Je sors avec mes potes ce soir.Im going out with my mates tonight. Salut mon pote!Hi, buddy!

Sunday, December 22, 2019

Coppolas Adaptation of Bram Stokers Dracula Essay

Coppolas Adaptation of Bram Stokers Dracula The legendary creature Dracula has mesmerized readers and viewers for nearly a century. In Bram Stokers masterpiece, Dracula, the infamous monster affects each reader in a different way. Some find the greatest fear to be the sacrilegious nature of his bloodsucking attacks, while others find themselves most afraid of Draculas shadow-like omnipresent nature. The fascination with Dracula has assimilated into all parts of society. Dracula can now be seen selling breakfast cereals, making appearances on Sesame Street, and on the silver screen. Countless film adaptations of Stokers original novel have been undertaken by the some of the most skilled directors in Hollywood including,†¦show more content†¦Coppola focuses too much upon the personal struggles of Dracula himself and the audience feels a great deal of pity towards Dracula. The genius of Stoker was that his Dracula caused readers to feel both sympathy and at the same time hatred towards the monster. James Craig Holte illu strates this point when he says: As Stoker recognized, classic horror is close to tragedy, and in a work of classic horror, there are elements of pity and fear, pity for the vampires situation but fear of his menace. Careful readers of Dracula are at the same time sympathetic to and repelled by Dracula. Coppola, despite the best of intentions, creates a work in which there is far more pity than fear; the sympathy finally overwhelms the repulsion. (Holte 85) The foundation of Coppolas film is based upon the love between Dracula and Elizobeta, and later upon the love between Dracula and Mina. His beloved Elizobeta commits suicide in his castle upon erroneously hearing of his death. Dracula was fighting Muslim invaders for the benefit of Christianity, and upon his return home he is devastated by the death of his beloved wife. Due to the fact that Elizobeta committed suicide, the head priest denies her burial in consecrated ground. This angers Dracula a great deal and causes him to renounce God in the face of the priest. He vows toShow MoreRelated Coppolas Interpretation of Dracula as a Love Story Essay1434 Words   |  6 PagesCoppolas Interpretation of Dracula as a Love Story      Ã‚  Ã‚   The protagonist and story of Bram Stokers novel Dracula have been widely interpreted and adapted in films throughout many years. Despite almost a century of time since the initial publication, Dracula has maintained its ability to frighten and mesmerize readers. Francis Ford Coppolas Bram Stokers Dracula; however, utilizes the erotic romance of the original novel in order to depict a tragic love story. The film accurately followsRead MoreDracula by Bram Stoker: Modern Man to Enduring Romance1688 Words   |  7 PagesIn Bram Stoker’s Dracula, Dracula is representative of the superhuman ideal that man is striving to achieve. 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By addingRead MoreEssay on Bram Stokers Dracula Meets Hollywood4245 Words   |  17 PagesBram Stokers Dracula Meets Hollywood For more than 100 years, Bram Stoker’s Victorian novel, Dracula, has remained one of the most successful and revered novels ever published. Since its release in 1897, no other literary publication has been the subject of cinematic reproduction as much as Dracula. Dracula has involuntarily become the most media friendly personality of the 20th century. When a novel, such as Dracula, is transformed into a cinematic version, the end product is usually mediocreRead MoreFilm Adaptation Of Bram Stoker s Dracula1320 Words   |  6 PagesBram Stoker’s frightening tale of Count Dracula has struck horror into the hearts of many since it was originally penned. In 1987, Bram Stoker wrote the revolutionary tale Dracula that played off the fears of the people of the era. The plot and characters that make the novel great also translate nearly perfectly to cinematic adaptations. Starting in the early 1900’s, directors have done their best to portray the terror that the origi nal novel inspired. Francis Ford Coppola’s Bram Stoker’s DraculaRead MoreThe Different Adaptations of Dracula 1660 Words   |  7 PagesEver since Bram Stoker wrote his entrancing novel people have been adapting it, and the story is one of the most reproduced ideas in history. Each innovation of the novel influences the story for the creators own purpose, and in doing so generates another version of Dracula. Count Dracula has become an infamous character in history, and has been captured in many different mediums, such as the Japanese anime and manga series Vampire Hunter D, which follows Draculas son D in his adventures (Kikuchi)Read MoreThe Presentation of the Story Dracula by the Filmmakers Essay2195 Words   |  9 Pagesof the Story Dracula by the Filmmakers There have been many film adaptations of the novel Dracula written by Bram Stoker (1897) the most well known of these is the film Nosferatu (1921) directed by Fredrick Murnau and Bram Stokers Dracula (1992) created by Francis Ford Coppola. I will be discussing the ways the filmmakers have presented the story Dracula by; the ways in which the directors have introduced the film: their portrayal of Dracula: the use of specialRead MoreUnseen Forces: Lesbian Relationships in Stokers Dracula and Coppolas Bram Stokers Dracula1800 Words   |  8 Pagesa blood-sucking Transylvanian man, upon diving deeper into Bram Stokers novel Dracula, one can find issues of female sexuality, homoeroticism, and gender roles. Many read Dracula as an entertaining story full of scary castles, seductive vampires, and mysterious forces, yet at the same time, they are being bombarded with descriptions of sex, images of rape, and homosexual relationships. 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Vlad III, Dracula, Drakulya, or Tepes, was born in late 1431, in the citadel of Sighisoara, Transylvania, the son of Vlad II or Dracul, a military governor, appointed by Holy Roman Emperor Sigismund. Vlad Dracul was also a knight in the Order of the Dragon, a secret fraternity created in 1387 by the Emperor, sworn to uphold Christianity and defend the empire against the Islamic Turks. Transylvania, along with Moldavia, and Wallachia, are now joined together as Romania. The

Saturday, December 14, 2019

Free Masters Journalism Assignment Rupert Murdoch and Democracy Free Essays

string(56) " imbalance caused by unnecessarily intrusive reporting\." ‘Rupert Murdoch’s looming hunger for power is a threat to democracy’ (porter). Chilling insight or conspiracy theory?’ Introduction It will forever be seen as the moment when the sun set on the Murdoch empire and when democracy in Britain, at the eleventh hour, avoided committing suicide and stood proudly again. The sight of the House of Commons unanimously rejecting Rupert Murdoch and News International, in whose thrall they had been since the days of Thatcher (Campbell, 2008, p. We will write a custom essay sample on Free Masters Journalism Assignment: Rupert Murdoch and Democracy or any similar topic only for you Order Now 410) was both commendable and contemptible. That it took so long and journalism which plumbed new depths of depravity for it to resurface is a stain on the British democratic body but, whatever is said, allowing News International to ultimately take over BskyB would have put Murdoch in an unassailable position in the UK and for that Parliament is to be commended. His demise has been swift and it was democracy which acted to sever his arteries of power and deny him a prize which many thought should have been denied him by a more robust application of European competition laws (Feintuck Varney, 2006, p.95). Indeed the coalition government was, outrageously, ready to waive through the bid without referral to the competition commission and the bid would have followed the example of the Times and the Sunday Times which were acquired by Murdoch in 1981 without being similarly referred to the Monopolies and Mergers Commission as it was then known (Greenslade, 2003, p.377). The bid has now been dropped altogether. As a FT editorial observed the threat to media plurality was, and remains, real and ultimately it was the people who rejected the idea: â€Å"Merging the two [broadcast and print] would create a behemoth with the potential to dominate the media scene, locking out challengers and stifling the diversity of debate.† (FT Editorial March 3rd 2011) Aristotle once observed: â€Å"In a democracy the poor will have more power than the rich, because there are more of them, and the will of the majority is supreme.† (Aristotle, 1996, p.154). The House of Commons reaction to the phone hacking scandal was perceived to be democracy at its finest, a reaffirmation of the will of the majority which had become, as Porter (2010) would argue, under threat from a media baron who has had the police, government and parliament at his mercy in Britain ever since he first came to the UK (Curran Seaton: 1997, p.366). Subsequent events to Porter’s observation, made before the phone hacking scandal reached its nadir when the phone of tragic murder victim Milly Dowler was hacked to delete voicemail messages which gave false hope to a grieving family and brought the fury of a nation, and crucially of a resurrected Parliament, to bear on News International, would at first glance seem to validate his claims, in 2010 (Porter, 2010), that Mu rdoch’s empire is a threat to British democracy. Democracy in the UK has not been rediscovered overnight and it is arguable that this episode is but a sign of a deeper malaise. Porter’s analysis was clearly a chilling insight but his article is built upon foundations which are shaky and which verge on the conspiratorial. The separation of powers doctrine, first proposed by Montesqieu (Richter, 1977, p.91), enables democracy and to the executive, legislature and judiciary we can add the fourth estate, as Thomas Carlyle observed, the press, which acts as a watchdog upon the others (Robertson Nicol, 2003, p.3). This essay will, structured along the lines of the separation of powers, argue that Poter’s assertions that Murdoch’s empire â€Å"makes and breaks governments† is misjudged and that the current reaction to the phone hacking scandal demonstrates that he is, in fact, ultimately accountable to Parliament: the threat to democracy has diminished but only temporarily. In part 1 then this essay will look at the â€Å"fourth estate† and its relationship with democracy before chapter 2 reflects on the executive, legislature and judiciary branches and the threat of Murdoch. As an editorial in the Guardian observed, there has been a lot of soul searching in the last few months and the scandal at the News of the World has rocked every democratic institution weaned on Murdoch’s power: â€Å"No well-functioning democracy should allow one man to frame its window on the world. But then the institutions of British democracy have hardly been functioning well of late in relation to Mr Murdoch. The fourth estate of the free press, in which we are of course one interested party, is one of those institutions. It should check and balance political power from the outside, while itself being held in check by the ordinary processes of the criminal law.† (Guardian editorial, June 2011) Part 1: The fourth estate and Rupert Murdoch The notion of the â€Å"fourth estate† has been around for about 200 years and rests upon the idea that a government unchecked by a vigilant media is liable to exceed its bounds (Curran Seaton, 1997, p.49). This role, taken on by the media, in effect legitimises democracy, at least in classical liberal theory, with the press able to enlighten the electorate to make an informed decision during an election, protect and promote human rights and social tolerance and, of most importance, to ensure that governments are brought to account and abuses of power made transparent (Pilger, 2004, p.xv). In reality however this romanticised notion of a newspaper is a myth which the News of the World shattered conclusively with the original defence of the wrongdoing being attributable to a â€Å"rogue reporter† exposed as the last refuge of a newspaper which had grown accustomed to paying private detectives to obtain private medical records and bribing police. Thus the press can just as readily play a less noble role as the following observation by Sheila Coronel demonstrates: â€Å"The media, however, can play antidemocratic roles as well. They can sow fear, division and violence. Instead of promoting democracy, they can contribute to democratic decay.† (Coronel, 2003, p.3) There has been a need for self-regulation to right the imbalance caused by unnecessarily intrusive reporting. You read "Free Masters Journalism Assignment: Rupert Murdoch and Democracy" in category "Essay examples" The liberal theory of press freedom appeals to a self-righting process first advocated by John Milton in the Aeropagitica who argued for freedom of expression in a marketplace of ideas where bad ideas would wither and good ideas would ultimately prosper (Siebert, 1956, p.44). Evolving away from an authoritarian past where the Crown controlled the press England moved towards libertarianism in the 18th century (ibid) and ultimately in 1953 established a body which was ran by the industry to regulate the press (Royal Commission on the Press, 1974, p.1). It was Sir David Calcutt’s Royal Commission into the press that ultimately rejected the predecessor, the Press Council, by proposing the Press Complaint Commission’s formation (Mcnair, 1997, p.186, Curran Seato n, 1997, p.368, Allen, 1999, p.181). One of the effects of the phone hacking scandal involving the News of the World has been a call to abolish the Press Complaints Commission and introduce privacy laws: a move which will could endanger freedom of expression and logically democracy itself (Meyer, 2006) although the PCC is not without weakness it is the least worst option (Coad, 2009). More directly Murdoch’s newspapers have been reflections of the proprietor’s political instincts in being Conservative, supportive of the private sector, anti-immigration and ‘fun’: bastions of sleaze, sensationalism and corruption which have driven standards ever downward and even debased the once-mighty Times, the traditional newspaper of record, which Max Hastings decries as a travesty (Hastings, 2002, foreword xvi). Celebrity gossip and sensational stories are the staple diet of Murdoch tabloids and, with the proprietor treating his newspapers like, as Hastings memorably puts it, â€Å"private rifle ranges† (Hastings, 2002, foreword xvi) to endorse his political viewpoint, coupled with the kind of persistent editorial interference which prompted Harold Evans to resign as editor of the Times in 1982 (ibid, xvi), it is no stretch to say that the watchdog role of the press is lost on his newspapers who have too often supped with the devils at Westminster and used stories as political weapons rather than beacons of the truth (Greenslade, 2002, p.212). His huge share of the newspaper and broadcasting market also undermines media plurality and he was edging ever closer to a monopoly which would have included 100% of BskyB until the hacking scandal forced him to back down. As things stand his share of just below 40% of the UK newspaper market (Guardian editorial, June 30th 2011) is not befitting of a modern democracy and his thirst for power is clearly a threat as more diversity leads to enlightened debate. For how can a public fed on stories of cel ebrity gossip, biased political stories and dubiously obtained information which is itself criminal and sometimes xenophobic ever make the informed decisions which nurture a democracyWith the fall of the News of the World and the neutering of the once-mighty oracle The Times Murdoch has succeeded in sabotaging the fourth estate from within. Part 2: Executive, legislature and judiciary Murdoch’s empire has reached into the very heart of Westminsterand for successive governments he was the key to victory, encapsulated by the pithy headline following Major’s victory over Neil Kinnock: â€Å"It was the Sun wot won it† (Young, 1997). Much is made of Margaret Thatcher allowing Rupert Murdoch to purchase the Times and the Sunday Times without referral to the MMC by bending the rules in his favour (Campbell, 2008, p.409), Tony Blair’s trip to Australia to play court to him in exchange for what was perceived to be decisive support in the 1997 election (Young, 1997) and now David Cameron’s hiring of the former NoW editor Andy Coulsen as press officer has again raised the spectre of Rupert Murdoch being too close to the ruling party (Jenkins, 2011). Details are now slipping out of endless meetings between the chancellor and Murdoch prior to the BskyB bid, extravagant cocktail parties for the great and the good and bizarre stories of backdoo r visits and cups of tea (ibid). The colour of the political chameleon is, as David Cameron pointed out in the Commons recently, irrelevant as â€Å"the clock stopped on his watch† and indeed all parties have been in bed with, or frightened of, Murdoch which is an affront to democracy and a poisoning of the well of debate (ibid). Poter misjudges the power of Rupert Murdoch, however, by saying that he â€Å"makes and breaks governments† (Poter, 2010). Although many in the House of Commons were afraid of him it cannot be said that the support of the Murdoch newspapers decides elections and at best his support would garner a few extra votes. Stephen Glover, writing in the Independent, observes in relation to the 2010 election that Cameron’s advisors greatly exaggerated the power of the Murdoch press (Glover, 25th July 2011) Proprietors are often given to exaggerating the impact of their newspapers: Max Hastings recalls Conrad Black having similar notions but ultimately the ability of newspapers and the media to shape the political world is limited (Hastings, 2002, p.303). Poter’s misjudgement was the establishment’s misjudgement, however, and for that reason his observations gain strength. He also asserts that Parliament has been unable to stand up to him. This observation was true at least until the phone hacking scandal inquiry and the miraculous sight of MPs and government ministers abandoning the Murdoch empire (House of Commons Home Affairs Committee, 2011). Although it is tempting to say that democracy has returned, this is perhaps just a glimpse of what should be and the stories of police officers being bribed on an industrial scale is reprehensible. A wider malaise is at work here and one which, but for the News of the World overstepping the mark, would have been well on the way to democratic suicide. As the Guardian points out the path to 2011 has been a tortuous one: â€Å"After years of denials, supine Press Complaints Commission oversight and an odd reticence on the part of the police, the truth has very slowly asserted its power in the phone-hacking scandal.† (Guardian editorial, 30th June 2011) Conclusion Of the institutions of democracy it is only the judiciary who appear to have emerged unscathed. The systemic bribing of police undermines this claim to some extent however and the battles between Parliament and the Supreme Court over prisoner’s voting rights demonstrate the tensions. What is clear is that the prophecy that every democracy commits suicide eventually appears to be coming to fruition and although Poter’s article is a chilling insight it is an insight into a problem with far greater roots than Rupert Murdoch’s admittedly consuming lust for power. News International has now been permanently handicapped by a temporary reassertion of parliamentary democracy in action but the threat to democracy in putting forth a right-wing agenda which destabilises debate, covering news stories which trivialise and sensationalise news, compromising editorial independence, obtaining information by criminal means and by being perceived to be able to influence the outcome of elections is very real. The watchdog role of the press as the fourth estate, already diminished by the demise of the Times and investigative journalism, would cease to exist if Murdoch’s power went unchecked and this would be the greatest threat to democracy of all, a threat which has not disappeared following the phone hacking scandal. Bibliography Coad, Jonathan (2009) ‘The PCC: Weak, Secretive and Biased’ in British Journalism Review vol.20 issue 13 pp 13-20 on p.14 Coronel, Sheila S. (2003) The Role of Media in Deepening Democracy. Philippine Centre for Investigative Journalism available online at: http://unpan1.un.org/intradoc/groups/public/documents/un/unpan010194.pd Meyer, Christopher (2006) ‘We Know Better Than the Courts’ in British Journalism Review vol 17 issue 3 pp 27-32 Aristotle (1996) The Politics and the Constitution of AthensCambridge Uni Press: worldwide edited by Stephen Everson Campbell, John (2008) Margaret Thatcher Volume 2, The Iron Lady Vintage Books:London Curran, James Seaton, Jean (1997) Power Without Responsibility Routledge:London andNew York Feintuck, Mike Varney, Mike (2006) Media Regulation, Public Interest and the Law Edinburgh University Press 2nd ed Greenslade, Roy(2003) Press Gang: How Newspapers Make Profits from Propaganda Pan Books:London Hastings, Max (2002) Editor Pan Books:London Mcnair, Brian (1994) News and Journalism in the UK Routledge: London and New York (4th edition) Richter, Melvin (1997) The Political Theory of MontesquieuCambridge Uni Press:USA Pilger, John (2004) Tell Me No LiesJonathanCape:London Robertson, Geoffrey Nicol, Andrew (2003) Media Law Penguin Books: worldwide Siebert, Fred S. (1956) ‘The Libertarian Theory’ in Siebert, Peterson Schramm (eds) Four Theories of the Press University of Illinois Press: Urbana p.44 Stuart, Allan (1999) News Culture Open University Press: Buckingham Philadelphia p.181 Young, Hugo (2003) Supping with the Devils Atlantic Books: worldwide Government reports Royal Commission on the Press (1976) Interim Report : the national newspaper industry chairman O.R. McGregor. House of Commons Home Affairs Committee (2011) Unauthorised tapping into or hacking of mobile communications Thirteenth Report of Session 2010–12 HC 907 19th July 2011 Websites Porter, Henry (2010) ‘Rupert Murdoch’s hunger for power is a looming threat to democracy’ Guardian online retrieved on 1st July 2011 and available from: http://www.guardian.co.uk/commentisfree/2010/feb/28/henry-porter-news-international-murdoch FT Editorial (March 3rd 2011) ‘Why Hunt could not stop Murdoch’ retrieved on 12th July 2011 and available from: http://www.ft.com/cms/s/0/d9f82a28-45e0-11e0-acd8-00144feab49a,s01=1.html#axzz1TFcoiymU Guardian Editorial (30th June 2011) ‘Rupert Murdoch: Empire of the Sun’ retrieved on 13th July 2011 and available from: http://www.guardian.co.uk/commentisfree/2011/jun/30/rupert-murdoch-empire-the-sun Glover, Stephen (2011) ‘It was wasn’t the Sun wot won it for Cameron’ from Independent online retrieved on 12th July 2011 and available from: http://www.independent.co.uk/news/media/opinion/stephen-glover/stephen-glover-it-wasnt-the-sun-wot-won-it-for-cameron-2319943.html How to cite Free Masters Journalism Assignment: Rupert Murdoch and Democracy, Essay examples

Friday, December 6, 2019

Factors contributing to the su Essay Example For Students

Factors contributing to the su Essay Factors Contributing to the Succes of Shakespeares Much Ado About NothingIn Shakespeare’s â€Å"Much Ado About Nothing,† many factors are combined to make it one of his most wittiest romantic comedies. He addresses several issues at the same time. For example, he addresses the concern of England that Elizabeth had no legitimate heir for the throne in his portrayal of Don Juan. Don Juan is seen as malicious, self-interested and dangerous. This is perhaps a warning to England about the possible actions of an illegitimate heir on the throne. At the same time, Shakespeare examines the nature of love and marriage. He utilizes the two plots between Beatrice and Benedict and Claudio and Hero. While Claudio and Hero have a relationship that is more in line with the current view on marriage and love, i.e. that marriage is a business deal and love is not relevant to such matters, he further explores other options to the current contractual view. To this end, he introduces the notions that people who marry should have a solid commitment to one another as well as great respect for each other. Furthermore, he introduces us to the idea that people in love communicate, sometimes at high decibels. He challenges us to look at the difference between reality and play-acting, specifically in the way courtly love distanced itself from the reality of real love. Claudio and Hero demonstrate the conventional play-acting of love. They do not know one another well, and because of this fact, they misread one another to near fatal ends. Their marriage has been slightly arranged, but is more based on a sexual attraction, which Shakespeare challenges as being adequate for real commitment. Her outstanding qualities are the fact that she is an heiress as well as being available. He on the other hand is very young and gullible. He takes a lie for the truth, with predictable ease. While Beatrice and Benedict have the makings of a true commitment, based on each other’s inward qualities, Claudio and Hero have the mere appearance of love and commitment to one another. Shakespeare challenges us to speculate on which union will be the most contented. Hero symbolizes to her father, the hope of great connections and personal gain. If she marries well, it will be a reflection on him. He has little concern for the inward merits of her future husband and less concern for her personal happiness. He is also concerned with the outward appearance of the status quo. To her family, she represents a valuable asset, a family treasure and a bargaining tool. To her class she represents the embodiment of the expected behavior and attitude of women of means. However, without the approval of her father, she can do nothing. To her countrymen, she represents to what degree they will go to assume the appearance of legitimacy, at the expense of examining the true virtues of the individual. These factors are important in Shakespeare’s England, because they represent the clamor for a legitimate heir for Elizabeth to the extent that a person’s inward worth and ability to rule a nation is overshadowed by the appearance of strength and capability. Hero represents also, the vulnerability of the throne and the danger in marrying it off to the most handsome suitor. While appearing to be capable of commitment, the suitor is unable to defend the throne in times of attack or slander. This concern is still relevant today, in our own country where fancy words and plenty of money tend to secure positions of power in politics. Many times, it is not until a crisis arises that we are able to see the true character and the true extent of the commitment of the person whose influence and wealth has secured them a position of great importance. The reason the position is important is not because of the title or connections attached to it, but rather the responsibility as well as the power to impact the lives of other’s either good or bad. .ufb27fbbdad1128b0b0cba1b7c68aac07 , .ufb27fbbdad1128b0b0cba1b7c68aac07 .postImageUrl , .ufb27fbbdad1128b0b0cba1b7c68aac07 .centered-text-area { min-height: 80px; position: relative; } .ufb27fbbdad1128b0b0cba1b7c68aac07 , .ufb27fbbdad1128b0b0cba1b7c68aac07:hover , .ufb27fbbdad1128b0b0cba1b7c68aac07:visited , .ufb27fbbdad1128b0b0cba1b7c68aac07:active { border:0!important; } .ufb27fbbdad1128b0b0cba1b7c68aac07 .clearfix:after { content: ""; display: table; clear: both; } .ufb27fbbdad1128b0b0cba1b7c68aac07 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ufb27fbbdad1128b0b0cba1b7c68aac07:active , .ufb27fbbdad1128b0b0cba1b7c68aac07:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ufb27fbbdad1128b0b0cba1b7c68aac07 .centered-text-area { width: 100%; position: relative ; } .ufb27fbbdad1128b0b0cba1b7c68aac07 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ufb27fbbdad1128b0b0cba1b7c68aac07 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ufb27fbbdad1128b0b0cba1b7c68aac07 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ufb27fbbdad1128b0b0cba1b7c68aac07:hover .ctaButton { background-color: #34495E!important; } .ufb27fbbdad1128b0b0cba1b7c68aac07 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ufb27fbbdad1128b0b0cba1b7c68aac07 .ufb27fbbdad1128b0b0cba1b7c68aac07-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ufb27fbbdad1128b0b0cba1b7c68aac07:after { content: ""; display: block; clear: both; } READ: AP Physics SHM EquationsDon Juan chooses Hero as his target and slander as his weapon. He is able to use this against her so effectively, because even the hint of wrongdoing was enough to cause her family, and more specifically her father shame. People involved were quick to believe the lie without any further investigation. With the exception of Beatrice, who cannot believe that Hero could act in such an inconsistent manner. The clergy is compassionate and merciful as well. He convinces Hero’s father to investigate the allegations a bit more. The â€Å"nothing† that there is much â€Å"ado† about is the lie that was told and the resulting actions of those who chose to believe it or reject it. There is connection between Marlowe’s â€Å"Hero† and Shakespeare’s â€Å"Hero.† Marlowe’s Hero has as her one asset, her virginity. She is expected to keep it no matter what. She treasure this is a prize possession and prides herself on her ability to defend and protect it. Similar to Shakespeare’s Hero, she is prized for her outward appearance rather than her true virtue. Once she has lost the most precious thing she has, she is condemned to hell. Marlowe says: â€Å"Till she o’ercome with anguish, shame and rage, Danged down to hell her loathsome carriage† (Norton’s 767). The portrayal of Constable Dogberry and his night watchmen shows how people can assume themselves to be more important than they are. Dogberry and his men create a position for themselves this is neither needed nor wanted. They put on airs pertaining to their importance to Hero’s father. They demonstrate they extent people will go to create a role of significance for themselves in society. Constable Dogberry assumes himself educated by the type of words he uses with no regard for their meaning and context. He assumes that if he talks the talk, he will be able to convince others that he is truly informed about the current events in the world. Shakespeare pokes fun at all of us, who rather than use a small word whose meaning we are certain, chose to put on heirs in order to impress people, to the opposite effect of making ourselves look less educated. Big words are not enough to give someone character. One cannot hide behind his words, because the lack of insincerity will be rev ealed to those around him. Words are meant to express thoughts, not for impressing the listener. Constable Dogberry’s malapropisms are very serious when played out in the court of justice. Words express thoughts and create pictures for ideas. When someone is being accused of something or tried for a crime, the words used by those in the legal arena have the power to give life or death. Sentences can have wide variations depending on the choice of one or two words. For example the sentence of â€Å"involuntary manslaughter† is much different from â€Å"manslaughter.† In for instance one confuses the word involuntary for voluntary or confuses their meaning the results could be devastating. Shakespeare reminds us that words are only important in the meaning and thoughts they convey. They have no value outside of their true meaning. They are tools, not decorations.